Easter Sunday was eighty degrees and humid, and the dining room smelled like glazed ham and cheap lily flowers. There were thirty people crammed around two folding tables pushed together in Coralee’s dining room, and the noise level hit you right behind the eyes the second we walked through the screen door. Paige was already sitting near the head of the table talking loudly about her husband’s new promotion at the bank. Paige married into the family two years after I did, and she has this way of holding her wine glass like she is auditioning for a commercial about how much money she inherited. Coralee calls her our little success story whenever she wants to make the rest of us feel like we missed our turn off the highway.
I carried the quilt in a large canvas tote bag, wrapped in pale blue tissue paper because I wanted it to feel like a real gift. When dinner was finally winding down and the dessert plates were hitting the wood, I set the bundle down by Coralee’s water glass.
“I made this for you,” I said, and my voice sounded smaller than I meant it to. “From Walt’s work shirts. So you’d have something to keep you warm.”
Coralee pulled the tissue paper back with two long fingernails painted the color of a wet brick. She unfolded the top two rows of squares, the ones where I had patched together the blue plaid and the gray work-shirt cotton. The table went quiet for about ten seconds, the good kind of quiet where people actually appreciate something someone spent their life making with their bare hands. For ten stupid seconds, I let myself feel proud of the seams I had lined up so straight.
Then Coralee folded the quilt right back in half, picked it up off her own lap, and laid it straight across Paige’s knees.